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      <image:title>Blog Post Examples - Example Blog Post: Zine Page - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog Post Examples - Blog Post Example - “These aren’t the droids you’re looking for”</image:title>
      <image:caption>Rebel Clementine with Stormtrooper</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog Post Examples - Example Blog Post: Steps to Navigating the Academic Job Market (as a First Time Applicant) - Make it stand out</image:title>
      <image:caption>A panel from Junji Ito's 1998-1999 manga classic, Uzumaki (うずまき)</image:caption>
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      <image:title>About the Repairers - Stephanie Chang</image:title>
      <image:caption>Stephanie (she/her) grew up in the Chicago suburbs before moving to Los Angeles at the start of her graduate school career. While she has never been particularly good at using tools, she has recently been prompted to focus more on matters of work, leisure, and the conceptualization of feminist politics through the question of tools, a question she has gladly taken up.  Saws have been one such tool that she learned to use as of late, as they not only have become particularly useful in her gardening endeavors, but also resonate with her personal interests in horror films. Ultimately, Stephanie is drawn to the many strange and complicated meanings of what it means to use and wield tools in past, present, and future landscapes.</image:caption>
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      <image:title>About the Repairers - Clementine Bordeaux</image:title>
      <image:caption>Clementine Bordeaux (she/they) was raised on the Pine Ridge Reservation in South Dakota and earned a BA in Theater from Carthage College (Kenosha, WI) and a Masters in Communications from the Native Voices Indigenous Documentary Program from the University of Washington, Seattle. She is a Ph.D. Candidate in Culture and Performance program in the World Arts and Cultures/Dance at UCLA. Clementine’s work is at the functions of Lakota relationality at the intersection of art, land, and culture.  When Clementine drove herself (alone) to college for the first time, her father handed her a small silver pocket knife. He told her to keep the knife in the car for the 14-hour drive to college. 18 years later, Clementine still carries this knife in her vehicle. She thinks often about the implications of “having” to protect herself as a female-presenting brown body in the Midwest and the ways other BIPOC bodies are seen as dangerous when wielding such tools. Although she has the knife, she continues to arm herself with other tools of intellect and care.</image:caption>
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      <image:title>About the Repairers - Jaimie Crumley</image:title>
      <image:caption>Tobias Keene, D.D.S. Hailing from Richmond, Virginia, Dr. Tobias Keene brings a bit of unabashed Southern hospitality to all his patients. He moved to Washington, D.C. over thirty years ago as a freshman at Ivy College. Right after graduation, he attended World University’s School of Dentistry. Before opening Keene Dental in 1994, he worked for free clinics and some of the finest practices in the District. He is part of the 123 Dental Association and stays up-to-date on the latest dental discoveries. When not striving to keep his patients happy and healthy, he’s enjoys hiking with his family in Rock Creek Park.</image:caption>
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      <image:title>About the Repairers - Taryn Marcelino</image:title>
      <image:caption>Taryn Marcelino (she/they/siya) is a product of a strict immigrant grandmother and mother growing up in San Diego, CA in a predominantly Filipino community. As a person who grew up learning martial arts, she is very comfortable with tools that protect and defend. Taryn’s tool of choice these days is the balisong, or butterfly knife. A weapon feared for it’s razor sharp blade and rapid deployment from the hand of the user, it is outlawed in most spaces. An attractive yet deadly blade, Taryn uses it for self-defense as well as an expression of Filipino culture. Taryn believes it is a metaphor for their feminist politics. At once, something necessary for the everyday, and when needed, can defend and be ready for the revolution.  Taryn’s first tool was a spoon, as seen in this photo of her younger self in the snow. Being someone who grew up in the sunshine, snow was a curious site and texture for Taryn. As a small filipino child, spoons were meant for scooping up soup and rice, but this was her tool of choice to understand this new, white, cold sensation. She was clearly glad to have been able to protect herself with her small, plastic spoon.</image:caption>
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